COSMOSCOW 2024 - VIEWING ROOMS | Gallery of modern art

The XII season of the Cosmoscow Contemporary Art Fair, Marina Gisich Gallery will showcase the works of Vitaly Pushnitsky, Evgeny Yufit, Maria Koshenkova, and Ivan Karpov. These artists delve into the interplay between the living and unalive, the human and the naturalistic.

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VITALY PUSHNITSKY

Graduated from St. Petersburg Academy of Arts (Repin Academic Institute of Art, Sculpture and Architecture), the graphic department. Also did the course of contemporary wood engraving techniques at Kala Art Institute, Berkeley, San Francisco (USA) and Tamarind Institute (New Mexico). Since 1994 — member of St. Petersburg Union of Artists. Lives and works in Saint Petersburg (Russia). Participant of numerous solo and group exhibitions in Russia and internationally. Works with painting, graphics, sculpture and installation. 

During the past years, the significant projects were presented at: 

o The State Russian Museum, The State Hermitage, 

o Moscow Museum of Modern Art, 

o The New Museum of Aslan Tchekhoev, 

o Multimedia Art Museum Moscow, 

o Calvert 22 Gallery (London), 

o Rudolfinum Museum (Prague), 

o Waino Aaltonen Museum of Art (Turku). 

 

Participant of 56th Venice Biennale for Contemporary art (Mauritius National pavilion, curated group show). Participant of 8th Moscow International Biennale of Contemporary art (together with Alex Katz). In 2011 th works were enlisted in Vitamin P2 (Phaidon) catalogue: New Perspectives in Painting. 

New works by Vitaly Pushnitsky from the series "Studio. The Island" showcase the artist's fascination with Buddhist practices of contemplation and introspection. In this recent graphic series, he aims to express the realms where the soul exists outside the body, whether during sleep or in death. In these new pieces, the familiar ephemeral landscape transforms into the shaky contours of the artist's studio. However, don’t be misled; we remain in the space of the artist's introspection, where he inhabits a state of philosophical solitude, and all objects and places are merely shadows dancing along the cave walls.

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Artist and film-director EVGENY YUFIT, founder of the Necrorealism art movement, is one of the most heroic and enigmatic figures on the local art scene of St. Petersburg. He has been working as a painter, photographer and filmmaker since the early 1980s. In 1985 Yufit set up the first Soviet independent film studio "Mzhalalafilm" which became a center for radical experiments in art. In this studio Yufit shot seven of his first films, which were influenced by the aesthetics of the early German kino-expressionism, French surrealistic cinema and pathetic of the 1930-50's Soviet official propaganda.

As of 1989 Yufit has made five full-length 35mm films. Each of his new films became an important international event. Yufit's films were shown at all the major festivals of independent artistic cinema. His first feature film "Papa, Father Frost is Dead" (1991) was awarded the Grand Prix at the International Film Festival in Rimini. In 2005, the 34th Film Festival in Rotterdam included a special program dedicated to Yufit's works — exhibition of his photos and the world premiere of his last film "Bipedalism". 

Yufit's paintings, photographs and films can be found in many leading museums of the world: the State Russian Museum, St. Petersburg; the Museum of the Modern Art (MoMA); New York, Netherlands Film Museum, Amsterdam; Centre Georges Pompidou, Paris. 


The art fair will showcase iconic photographs by Yevgeny Yufit, a St. Petersburg film director and artist, and the founder of necrorealism—arguably the most paradoxical and original artistic trend in Russian art over the last forty years. Born at the intersection of life and death, as well as black and white, Yufit's photographs illustrate the process of image deformation. This effect is achieved through repeated counter-typing, which involves translating the image from negative to positive. The photographs produced by Yufit alongside his film projects reflect his cinematic vision and are perceived as frozen cinema.

From the series "Silent Horizon". 2007

Silver Gelatin Printing on Ilford Paper. 70 × 100 cm. In the frame

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From the series "LongLiver". 1997−2009

Silver Gelatin Printing on Ilford Paper. 70 × 100 cm. In the frame. Edition 1/3 + 1 Ap

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Spit of Maturity. The central part of the triptych. 1993

Black and white photography. 85 × 65.5 cm

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From the series "LongLiver". 1997−2009

Silver Gelatin Printing on Ilford Paper. 70 × 100 cm. In the frame. Edition 1/3 + 1 a/p

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Dew. 1994−2009

Silver Gelatin Printing on Ilford Paper. 70 × 100 cm. Framed. Editon 1/3 + 1 AP

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From the series "LongLiver". 1997

Black and white photography. Paper size: 72 × 101 cm. Image: 64.5 × 93.5 cm

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From the series "Rustle". 1996

Black and white photo. 107 × 147 cm. In the frame

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He. 2002

Black and white photo. 107 × 147 cm. In the frame

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From the "New Morning" series. 1992

Black and white photo. 107 × 147 cm. In the frame

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From the "New Morning" series. 1992

Black and white photo. 107 × 147 cm. In the frame

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From the "New Morning" series. 1992

Black and white photo. 107 × 147 cm. In the frame

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From the "Rebirth" series. 2007

Black and white photo. 107 × 147 cm. In the frame

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A Gift. 2010

Black and white photo. 107 × 147 cm. In the frame

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From the series "Silent Horizon". 2008

Black and white photo. 107 × 147 cm. In the frame

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From the series "LongLiver". 1997

Black and white photo. 107 × 147 cm. In the frame

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From the series "LongLiver". 1997

Black and white photo. 107 × 147 cm. In the frame

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From the series "LongLiver". 1997

Black and white photo. 107 × 147 cm. In the frame

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From the series "LongLiver". 1997

Black and white photo. 107 × 147 cm. In the frame

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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Rebirth. 2014 version. The left side of the triptych

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "Silent Horizon" 2014. version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "Silent Horizon". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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From the series "LongLiver". 2014 version

Pinhole. Print Durst theta 76 on Fuji Photo Paper. Edition 1/10. 70 × 100 cm. In the frame 74 × 104 cm

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Series "Silent Horizon". Version 2014

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm

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Tide. 2013. Version 2014

C-print. 70 × 100 cm. Framed

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm. Framed

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm. Framed

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm. Framed

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm. Framed

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm

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Series "Silent Horizon". Version 2014

C-print. 70 × 100 cm

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Untitled. 2024

Glass, polished, silver plated. 82 × 48 × 48 cm

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Object #21 from "Bodegones" series. 2021

Glass. Polish, Silver-plating. 50 × 26 × 20 cm

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Object #23 from "Bodegones" series. 2021

Glass, Polish, Silver-plating. 22 × 18 × 13 cm

Object #22 from "Bodegones" series. 2021

Glass. Polish, Silver-plating. 23 × 20 × 18 cm

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The series "Strange Corps". 2022

Free blowing, gut technique 45 × 30 × 35 cm

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The "Faun's Flesh" series. 2024

Free blowing, guttural technique, hand-dyed ropes. 3 objects. 62 × 45 × 27 cm

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The series "The Caretaker". 2022

Free blowing, gut technique metal element Object: 56 × 38 × 36 cm
 Metal: 70 × 45 × 45 cm

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The series "The Caretaker". 2023

Free blowing, gut technique, metal element Object: 50 × 38 × 32 cm

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Untitled. 2022

Glass, polishing, silvering 59 × 39 × 30 cm

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No. 20 from the "Bodegones" series. 2021

Glass, polishing, silvering. 56 × 43 × 30 cm

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