Things are genuine when they have an authentic purpose. They are conglomerations and precise material representations of the time when they were created (in style, design, and character). They are an exact piece of reality, proving that time leaves its mark. For me, a thing itself represents absolute reality, as opposed to images of a thing, which always take second place in relation to the real thing. (Semyon Motolyanets)
OBJECTS. SERIES "PYRAMIDS". 2018.
PAINTING. "BIG PAINTINGS SOLVE BIG QUESTIONS" SERIES. 2015-2018.
“The art of Semyon Motolyanets is a conflict. A conflict between the artist’s reflexes and his ratio (“reason”). With a traditional fine arts education behind him, the painter is not able to control himself. He feels the first impulse to create something and unintentionally paints in the way he was taught. The next moment is an involuntary reaction to how it turned out: “God, what a vulgar sunset I’ve made!” The texts are the artist’s voice of reason, encumbered with postmodernist consciousness. What was beautiful in Kant has turned trivial. Traditional painting is not comme il faut.
The irony on the subject of generally accepted and well-established rules of the game in the capitalistic art world – big paintings solve big problems – looks like a form of protection, of self-identification and to some extent even resistance to evil, but it is also the pursuit of truth, lost in a vast field of illusions”.