The triptych and two multi—part sculptures are a single large-scale installation The Saga of the Golems, which continues the study of modern mythology. It combines elements of different visual languages and cultures: high and low, folk and aesthetic, vibrant Flemish painting and strange late Soviet illustration, ancient languages and children's fictional signs, altarpiece architectural composition and ironic characters. The author uses a mixed technique: painting, small sculptural plastics, root plastics, found vintage objects brought from Texas, masks and sculptures from Indonesia, acquired from a private collection, sculptures of Polynesian peoples.
