Gerasimov's affinity with the canons of Russian medieval art is self-evident, but as far as the artist is concerned, they are his habitat, his reality, rather than a source of expressive ideas. The artist's world operates according to other laws that reveal an easily recognizable vision that's all his own.

Gerasimov's art is strong in content, which he skillfully conveys through a complex system of decorative forms. In his art, fascinating festiveness meets the austere traumatism of a parable. Elegantly playing with contrasting color surfaces, he weds them in a severe yet festal harmony. From this springs forth a sense of optimism and light attained through suffering - something that always lies entreasured in the enchanted depths of even his darkest paintings.

Gerasimov has found his trademark system of expression and color that makes his works so easily recognizable. His system is very musical, occasionally syncopated, and melodious. It has the austere chastity of color; its compositional architecture is solid and responsible. Last but not least, Gerasimov's prowess in handling the canvas betrays his relentless aspiration toward technical perfection and profundity of thought.

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